Top 10 Movies Every Actor Should Watch and Why

BY ANNETTE LANGE

Who hasn’t deeply been touched by beautiful cinematography, amazing performances by actors and successful adaptations of extremely creative and ingenious screenwriting?

Films speak to everyone on a deep, personal level. They reveal, celebrate and criticize humanity and are therefore a powerful tool.

If you’re an actor, you’re probably driven by the same desire to tell stories worth telling. I’ve compiled a list of movies that will challenge, inspire and help you in your endeavour to become a better actor.

1. Sophie’s Choice

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There are so many reasons to watch this film, if you haven’t already. Pay close attention to Meryl Streep and Kevin Kline’s performances. Their characters are so multifaceted, complicated and emotional, and both are able to portray them convincingly. Streep nailed not only the Polish accent when speaking English but also when she spoke German.

2. Wall-e

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This movie is an excellent reminder of the importance of story. The immense impact this film has on the audience is incredible. The actor is not the most important part – the story is. And it can be told without words. Films should be made to create a connection with the audience. The actors are merely servants of the director who carries the vision.

3. The Descendants

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In this film, director Alexander Payne chose to leave the camera on the cast longer than what would be a good point to yell ‘cut’. It’s fascinating to see how the actors explore this opportunity. You often hear the saying ‘the magic happens outside of our comfort zone’ and this is a perfect example.

4. Drinking Buddies

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Drinking Buddies is an example of successful mumblecore. What this means is, the performances are natural and more realistic because there are guidelines instead of scripted dialogue. Watching this will inspire you to really listen and react to your scene partner and see what happens. Don’t be scared of improvisation, it’s a breeding ground for magic to happen.

5. La Vie En Rose

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Marion Cotillard’s performance blew me away when I saw this film. No wonder it garnered her an Oscar. Her commitment and dedication to portraying Edith Piaf is inspirational. It’s a perfect example of Ugly Acting. She does not look flattering in her performance, she masters the degression of age and sickness and makes very bold character choices. I’m a strong proponent for watching foreign films as well, and to start with La Vie en Rose is an excellent choice.

6. Bronson

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Confidence is a key lesson that improved my acting, and Tom Hardy’s confidence in this movie is incredible. He seems to have completely forgotten the camera. His performance is raw and unforgiving. Also, Bronson is just one bizarre human being, and to understand his psyche and wrestle with the character development must have been a challenge.

7. Sunset Boulevard

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This is a classic black comedy and, even though it is an oldie, it still shows the ‘behind the scenes’ of Hollywood/Stardom quite plainly. It shows the extent and consequence of Norma Desmond’s love for fame, herself and greed. Stardom is fleeting, the fruit of pride is disgusting. Mommy Dearest explores this topic as well. It is definitely a topic every actor needs to grapple with for their personal life.

8. Singin’ in the Rain

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Whether you are fan of musicals or not, you must have seen this movie at least once. Film is first and foremost entertainment and should appeal to your audience. Gene Kelly is a wonderful example for his standard of excellence. Only dreaming for a breakthrough in acting will just continue to be a dream if you don’t work on your craft.

9. Amadeus

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Amadeus discusses many topics worth mentioning. But what struck me while watching the movie was observing how both Mozart and Salieri failed to steward their talents well and as a result, both their lives end tragically. Instead of composing for the love of music and others, Salieri chose to let comparison and jealousy get the best of him. And Mozart indulges so much in the futile pleasures of life, it results in a disgraceful death.

10. Kramer vs Kramer

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What’s fascinating about this movie is, it refuses to take sides. Humans are intricate, complicated beings. Their personalities and decisions change. There isn’t always a black and white, right or wrong. The focus is not on the child who suffers from his parents’ divorce, but on the ‘grown-ups’ who cry out for just as much attention and identity as the child does.

Read Roger Ebert’s review for a further exploration of the film.

Bear in mind

This is a very limited list and not ranked in any way from best to worst or vice versa.

My advice to you – watch ‘em all. But be strategic with your choice of movies. Watch good ones, watch bad ones, popular movies and unpopular ones, independent and foreign ones – but watch them all with a healthy dose of skepticism and awareness and take away from them what you can and apply to your own craft.

How to Promote Your Acting Career for Success

BY CHARIS JOY JACKSON

Actors need to get creative and build a community around their career. In other words, they need to promote themselves to become more successful.

This is not success in the manner of earning the bigger bucks, or becoming famous. Those can be byproducts of your success, BUT they should never be the reason to promote your acting career.

The success you’ll find in promoting your career come more in the community you build. The more you relate to your fan base and fellow dreamers, the more likely they’ll want to watch you in a film.

Here’s a couple tips to get you started on the path to success.

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CREATE A SOCIAL MEDIA PLATFORM

Create your own Facebook page, start an instagram account, jump on Twitter, and build your own website. This can be a huge help to boost your career.

I’ve heard rumors of some agencies who won’t even look at you as a potential client unless you have a certain amount of followers on Instagram and Facebook. While I can’t confirm or deny this, I can understand the principle behind why an agency would do this.

If they can find someone who’s already showing themselves to be a bit of an “X-factor” then they are more likely to want to work with you. In some ways it means less work for them too, but it can also show them you mean business and acting isn’t just a hobby, but your life.

I would recommend you start with building your own Facebook page, but don’t do this unless you know you’re ready for the hard work of pursuing your dream. Acting is fun, but it is a lot of hard work and takes incredible tenacity to stick to it in the long haul.

If this sounds like you, then you should create a Facebook page. Invite everyone on your friends list if you can. The more personal the invite, the better. Send it to them in a message versus just clicking the invite button.

Then start your own Twitter and Instagram accounts. Follow other budding actors you know and hopefully they’ll return the favor. Follow casting companies like Backstage to get updates on potential auditions and jobs.

Having your own website can be helpful too. With platforms like Weebly, who do most of the hard work for you, it’s really easy to build your own site. If it’s done well, then it will aid your professional appearance, making it more likely for agencies and films to hire you.

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BE CONSISTENT WITH THE CONTENT YOU SHARE

An important key with your social media platform is to be consistent with what you produce. Set aside some time to figure out what you can realistically produce in a week, then create a schedule for yourself.

Research when each site’s high traffic times are and schedule posts for those times. Take advantage of the almighty hashtags on Twitter and Instagram especially. Ask questions, take pictures of the projects you’re a part of and be real with people.

The more real you are with your growing fan base, the more fans you’ll acquire.

For example, look at Robert Downey Jr. If anyone had the excuse to not promote themselves, it would be him, but if you’re like me and follow him on facebook, you know he’s always active with his fans and more than that, he’s real with them.

Zachary Levi is another actor I’ve noticed who is incredibly active with his fans. Almost daily, he’s responding to fans on Twitter, being real, sometimes even cheeky, but he’s still taking the time to see them as individuals versus a whole.

This is something I wish more actors would do as they build platforms to promote their careers.

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“Don’t tell people your dreams. Show them.”

(author unknown)

I know it can be a bit scary to think about promoting yourself. Maybe you’re afraid it’ll look a bit pompous or narcissistic. Think of it more as you inviting them on the adventure, make them feel like they’re part of your inside team. Build a community of dreamers and creatives.

Is “Guardians of the Galaxy” Marvel’s Second Best Film?

BY KEATON J. EVANS

*Warning: Huuuuge Spoilers!*

Guardians of the Galaxy is considered to be one of the greatest creative achievements by Marvel and also the favourite of many fans. But is it the best Marvel film? Or has the new Guardians of the Galaxy vol. 2 surpassed it?

I thoroughly enjoyed the film when I watched it a few days ago, and I wondered how it stacks up to the first one. I made three rounds for both movies to compete in and we shall see who the winner is at the end of the article.

These three points are the ones I considered to be the most important differences between the two.

ROUND 1: THE PLOT

Guardians Vol. 1: Peter Quill embarks on an adventure to escape Ronan and everyone else out to get him and the infinity stone he carries. Along the way he’s forced to work with other convicts. They all learn to work as a family and end up saving Xandar, a planet that Ronan was bent on destroying. Only by uniting as a team do they stop Ronan and take-back the infinity stone. Overall, the plot establishes the theme that family is what is most important. To read more about this, read Brenden’s piece here.

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Guardians Vol. 2: In the second installment we see the team working together to protect a superior race of people and then fleeing said people when Rocket steals one of the batteries they were hired to protect. Their ship crashes on an alien planet where they meet Peter’s father, Ego. We then follow father and son and the plot between Gamora’s sister Nebula, who’s out to take her revenge of Gamora. It’s a bit slow in some areas, which is understandable because the movie is character-focused. Both films are. But overall, the plot drags in some areas, being sacrificed to the jokes and humor, which are good, but take away from making the plot stronger.

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The first film brought the charm of family and bringing together a ragtag team to win this round over vol. 2.

WINNER: Vol. 1

ROUND 2: THE VILLAIN

Guardians Vol. 1: In the first volume of the Guardians of the Galaxy our heroes face Ronan, a leader of the Cree people who’s out for the infinity stone and couldn’t care less about Thanos. He’s about as flat as a villain could be, but still intimidating and powerful. He’s defeated by the Guardians rather easily, though that hammer of his sure was crazy good with an infinity stone strapped inside of it. Overall, he’s about as typical as Marvel villains come.

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Guardians Vol. 2: In the second volume of the Guardians’ adventure, we face a whole new kind of villain: a father gone bad. His reveal is dynamic, a twist to many fans and a highlight of the film, to be sure. I know I was shocked and I feared for Star-lord, a reaction I haven’t felt for many characters. But when Star-lord literally went starry-eyed, I was concerned. And the horror of all the children Ego killed and buried was also uncomfortable to realize. And, being a planet is something we haven’t seen yet, which adds to the originality of the character. Admittedly it feels like they’re fighting the Death Star at the end, but that’s for another round. The thing about Ego is his motives sound grand, but they too appear a bit murky.

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With Ego being the more original and surprising twist of the two, the winner of this round belongs to Star-lord’s dad.

WINNER: Vol. 2

So far the two are tied, which is good. It’s what makes fights interesting. Good thing there’s a third and final round to settle which one’s better!

ROUND 3: THE CLIMAX

Guardians Vol. 1: The climax of the first film included an epic space battle above Xandar, the planet the heroes are desperate to save. After trying to stop a giant ship from crashing into the city, the ship is able to break the blockade and crash into the city. But before Ronan can slap his infinity stone-infused hammer into the ground and wipe out the world, he is challenged to a dance-off by Peter. After distracting Ronan he takes ahold of the infinity stone and defeats Ronan with the help of the other Guardians. The dance-off is completely unexpected and hilarious and the moment they unite is a powerful one.

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Guardians Vol. 2: At times the climax reminded me of people trying to blow up the Death Star, and I’m still trying to figure out if this is a good thing or not. It was unique that they had to fight a being which was a planet, and it added a strange dynamic to the fight. I think Ego being essentially invincible (until you destroyed the core) made the fighting seem superfluous, but what was thrilling was seeing each member of the team having to fight Ego in their own way. There was a good deal at stake too, with the earth being in danger of Ego’s take-over.

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With both movies having excellent final clashes, this one is probably the closest of the three rounds. But….

WINNER: Vol. 1

With two out of three wins, the original Guardians of the Galaxy remains one of the best films in the Marvel cinematic universe. I enjoyed both quite a bit, and think the second one is good, but the first one remains the better of the two. Do you agree with the results, or do you think I’m crazy?

Whatever you may think, James Gunn knows how to make popular movies, no doubt about it!

What A Stunt Person Needs In A Director

BY CHARIS JOY JACKSON

When it comes to knowing how to make movies, there’s one area independent filmmakers can not ignore. Stunts.

Pretty much everything else, you can “fake it, ‘til you make it”, but when it comes to stunts, you need to know what you’re doing. They’re dangerous and if you don’t have professional training, you’re creating an incredibly unsafe set.

A happy set is a safe set.

I love stunts. Watching Tom Cruise perform death-defying stunts in the Mission Impossible franchise are always a highlight. I mean, come on guys! The man hung off the side of one of the tallest buildings in the world. And, he held on to the side of a plane as it took off!

It’s inspiring to see stunt performers in action. They’re one of the most tight-knit community in film. Which, honestly, is no surprise because they have to trust each other with their lives.

As an aspiring director, I wanted to know what stunt professionals look for in a director. I reached out to a few and here’s what they had to say…

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Kyal Scott, SAP

The Tempus Elixer (2015) & Out of the Woods (2017)

Kyal is an incredible actor and stunt professional. He’s performed death-defying stunts as several iconic characters at Warner Brother’s Movie World in Australia.

“What I look for is trust. A stunt person doesn’t want to risk injury or death for the sake of a slightly better camera angle or perform a stunt that is deliberately difficult because an alternative action doesn’t adhere to the storyboard. 

“If a stunt person knows that their safety is the main concern then they will push their fear to the limit and risk their lives to create something incredible for the director to capture.

“Trust also helps both director and stunt person be far more efficient. Time is money after all.”

I think he’s hit the nail on the head. The biggest thing a stunt performer needs from their director is trust. They are putting their very lives on the line to serve the vision of the story. If they can trust they’re working with a director who will think outside the box to ensure their stunt performer is safe, the performer will work harder for them too.

It’s a mutual road.

Daniel Nelson, SAP

Deadline Gallipoli (2015) & Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Daniel currently works at Warner Brother’s Movie World in Australia and already has an impressive list of films under his belt as a qualified stunt performer.

“Sometimes directors don’t always have the same eye for action that stuntmen do. So having access to playback footage of each take and seeing what it looks like on camera is very handy. Particularly in a fight sequence.

“Directors can also spend too much time on the actors’ dialog that there is no time in the day for the stunt sequence. So a director who is aware of his time is definitely beneficial.”

This is great advice for the aspiring director. Keep an eye on the time. Stunts require a lot of work and time. The crazier the stunt, the longer it’ll take to make sure everything is set up and safe for the performer. The more a director honours this, the more a stunt person wants to make things work to serve the story.

Daniel Weaver, SAP/ Stunt Rigger

Bleeding Steel (2017) & The Shallows (2016)

As well as working for Movie World, Weaver is also a Stunt Rigger and most recently worked on Thor Ragnarok as a SPX Rigger.

“One of the things I look for in a director is being easy to communicate with. [There’s] nothing worse than trying to understand what someone wants to see if they are not clear. Some directors climb all over the ground and grab performers to show what they mean prior to shooting, so a director who is clear and not afraid to get their hands dirty is great!”

“Another is a director that understands action filmmaking. It’s awesome when you get a director that knows the value in seeing the stunts rather than a director that will just cheat the stunts to speed things up. A good director knows the time it takes to provide quality performance and maintain safety.”

I think Daniel makes an excellent point about being clear with what you want from a stunt person. The more concise and articulate you can be as a director the better. In fact, I’d even go so far as to say, learn their lingo. Find out what different stunts are called, it will save you time on set and I think it’ll make your stunt professional’s day.

Jason O’Halloran, SAP

Goldstone (2015) & The Chronicles of Narnia: Voyage of the Dawn Treader (2010)

Jason also works for Movie World and has had an impressive career, working on shows like Sea Patrol and Russell Crowe’s The Water Diviner.

“I like to see a director that’s excited about action. If you get on set and the director is pumped about the scene then everything just naturally goes up a notch.”

Jason gives some great advice here. At the heart of what I hear in this is, have passion for the action you’re creating. The more passion you have, the more your entire crew will want to get behind what you’re doing. Passion is a huge support to creativity. It gets the juices flowing, so to speak, and you may find your stunt professional coming up with even better takes for what you want to create.

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“All of the stunt men – these are the unsung heroes. They really are. Nobody is giving them any credibility. They’re risking their necks.” – Jason Statham

The next time you work on a set with stunt professionals, I hope you keep this advice in mind. What Jason Statham says above is so true. They really are the unsung heroes on set.

While it takes extreme effort for every crew member to serve a project, keep in mind these guys and gals are going the extra effort. Support and honor this community and listen well to this incredible filmmaking advice.

Barkhad Abdi – How to get awards without training

BY ANNETTE LANGE

In order to win the Bafta Award for Best Actor in a Supporting Role and get a part in popular movies, one must simply do the following:

 

  • Come from a difficult background in Somalia and flee to Yemen to escape sudden civil unrest and war
  • Win a Green Card Lottery and move to Minnesota at the age of 14
  • Learn English from TV shows and rap music
  • Become a limo driver, DJ and sell phones to make ends meet
  • Respond to a casting call for Captain Phillips and give the best performance out of 700 fellow auditioners to get the role of a Somali pirate
  • Co-star alongside Tom Hanks and give an excellent performance
  • Improvise iconic lines to add to the believability of the scene

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This, in a nutshell, is the story of Barkhad Abdi who made his major debut in Captain Phillips, without any acting training or experience prior to his role as ‘Abduwali Muse’. And, besides winning the Bafta Award, he got nominated for a Golden Globe and an Academy Award as well.

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I love stories like his. People like Abdi are very refreshing. They haven’t been sheltered from the world, they had other things to worry about than staying in the loop with the latest trends. And when success comes to them as a surprise, it is an even more joyous achievement.

 

When asked about his response to co-starring with Tom Hanks, he recalled thinking, “I can’t believe I’m in a scene with the Forrest Gump guy.”

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I first noticed Abdi in Eye in the Sky and I was extremely fascinated by his performance. When I realized he hadn’t been trained professionally, I was even more impressed.

 

The little training he had in preparation for Captain Phillips happened in the month prior to filming. Abdi had to learn to swim, handle guns and operate a ship. He only met Tom Hanks on the first day of shooting, so I bet his nerves helped him to create such a convincing character.

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There was a lot of doubt whether he would actually be able to make a career out of it, or if it was just a one-time golden opportunity.

 

His salary for his first performance was only increased very little from the mandated Screen Actors Guild (SAG) minimum of $60,000 for a feature film. Even after his success, he was struggling financially.

 

He couldn’t even go back to work in his brother’s phone shop because everyone wanted to see him instead of buying phones. He seemed as if he was back to square one after reaching fame.

Perhaps his experience of reaching fame but finding it harder than expected could be compared to his experience of coming to the States:

 

“When I was leaving Yemen to come to America, things were tough. My dad had just been laid off, and it was a challenge. When I lived in Yemen, I thought America was a perfect place. Everything was bigger and better. I dreamed big. The American dream, you know? You have to work hard for your dream to come true.”
And he is working hard. I’m sure many directors have an eye on him after his performance in Eye in the Sky. And fortunately, his future looks promising as well. He has more acting projects lined up such as Hawaii 50, The Place that hits the Sun and the Sequel to Blade Runner. May the list go on and on!

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I am excited to see more of his acting. May he never loose that tenacious and creative spirit and continue to inspire fellow actors as he continues in his journey!

Should “13 Reasons Why” Never Have Been Told?

Written by Charis Jackson.

Creatives, how do we know when we’ve stepped over the line creatively?

13 Reasons Why, is one of the most popular shows on Netflix right now, but should we be watching it? Should it have been filmed? Or even created? These are the questions tossing around in my head at the moment.

The story follows Hannah Baker, a young girl who experiences severe bullying and trauma to the point where she commits suicide. She leaves behind several cassette tapes for a selection of classmates explaining why they and the choices they made are the reason why she ended her life.

13 Reasons Why, which was inspired by the book of the same name, written by Jay Asher, has come under an unexpected attack by several mental health organisations around Australia and the US. They’ve urged teens and young adults to avoid the show because of the extreme graphic content.

I have to say, I’m torn. On one hand, I completely understand their concern. However, as a writer, filmmaker and creative, I was impressed with the story and their willingness to show the raw situations and even the actual suicide.

In the featurette, 13 Reasons Why: Beyond the Reasons, producer Selena Gomez said, “We wanted to do it in a way where it was honest, and we wanted to make something that could hopefully help people because suicide should never ever be an option.

But now with organisations like Headspace, issuing warnings to younger viewers, I have to take another look at the role of the creative in all this.

In an interview with Channel 9’s Today Extra, Child Psychologist Dr. Michael Carr-Gregg stated, “It’s essentially an audio-visual manual for suicide.”

Can it be true? Can a story impact the world in such a negative way, when their aim was to bring awareness and give less power to these horrible situations?

When talking about the choice to film the actual suicide, Brian Yorkey, Executive Producer said, “We worked very hard not be too gratuitous, but we did want it to be painful to watch, because we wanted it to be very clear that there is nothing in any way worthwhile about suicide.

The job of a creative is to speak where others can’t. Creatives have a way of putting words to how people feel. Growing up, I was always impressed with how songs and shows could put words to feelings I couldn’t explain and because they were able to express them, it helped me grow in maturity, but I have to wonder if we can go too far in revealing truth.

More than anything, what 13 Reasons Why reminds me of, is the importance of our words and choices. This is a central theme in the show, but also is being revealed in the backlash it’s now experiencing. Where they aimed to tell the truth and give people a hope there were other solutions than suicide, it now appears they’ve only brought further damage.

In one news source, Headspace said they’re receiving more calls and emails which are in direct correlation with the show. Obviously, they’re concerned, but I can’t help wondering if the show has actually done more good than harm.

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There were many times during the show, where I kept hoping Hannah would tell the truth, that she would take her communication teacher’s advice and tell people when they’d hurt her.

Recently, I had a small argument with a friend. As a teen and young adult, my usual response to these kinds of situations was to internally shut down. When my friend asked if I was ok, instead of shutting down, I told her, with no aggression what she’d said, made me feel like I didn’t have a right to voice what I was saying. I was surprised by how easily the situation was resolved once we’d both calmly spoken the truth.

And this came as a direct response to my experience and the lessons I’d learned from watching 13 Reasons Why.

In a Vanity Fair article, Nic Sheff, one of the writers of the show talked about his own experience with depression and his attempt to take his life. He recounts while he was trying to take his life, a memory of another woman’s story of how she’d tried to commit suicide, came back to him and stopped him from going further. “The whole story came back to me in heightened detail.” He said, “It was an instant reminder that suicide is never peaceful and painless, but instead an excruciating, violent end to all hopes and dreams and possibilities for the future.”

Ultimately, creatives have the responsibility and duty to impart wisdom and truth to their audience. It’s their gift and their curse. Sometimes this will be received well, other times there will be backlash. I have to trust as long as I’m owning this responsibility and doing everything I can to be sensitive and ethical in what I create, then I need to let the rest take care of itself.

I think we need to give the creators and storytellers of 13 Reasons Why a break. Maybe organisations like Headspace are receiving more calls, but what if it’s because the show has given young teens hope they can turn to someone? What if the show has impacted people to seek help because they’ve seen how many people were horribly affected by Hannah’s decision.

Suicide is never ever an option. I’m no psychologist, but don’t you think the more we bring things into the open, the less power they have to control us? This is exactly what the creators of 13 Reasons Why were hoping to accomplish. I think instead of seeing the growing number of calls and emails as a warning, we should see it as a hope and the fruit of their labor, because the fact of the matter is, people are reaching out for help.

Regardless, this discussion is good for us creatives and independent filmmakers to consider, are you being responsible with your art?

If you or anyone you know is in need of help, please reach out to organisations like Headspace 1800 650 890, or Lifeline 13 11 14

This article was originally published on Christian Today.

 

How to Willy Wonka Your Way to an Acting Technique

BY KEATON J. EVANS

Follow me and you will see a world of pure imagination full of creative ways to develop your acting technique into the stuff of wonders.

For me, my journey of developing my own unique acting technique was similar to the ones of the children in Gene Wilder’s, Willy Wonka and the Chocolate Factory.

While I was learning about all the different techniques, Meisner, Stanislavski, Uta Hagen, to name a few, I was a bit overwhelmed by which ones to use and which ones to avoid. I didn’t have a clear picture of what to do.

Then I thought about the analogy of a kid in a candy shop. Similar to the children in the movie, I was able to choose different acting techniques like candy. And in doing so, created my own ‘collection of sweets’ comprising a pile of style.

Try all the candy you want!

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Contrary to what our parents would tell us about eating candy, in this metaphor of creating your own technique, the best thing you can do is try all the candy. From the zany sours of Meisner, to the chocolate of Stanislavski, there’s so much to choose from.

For me, it’s an easy temptation to try to find one proven method and just stick to it. I want to be able to have a technique which will get me through various acting struggles I know I will encounter.

But the thing is, one technique alone probably won’t be enough. It might take certain tips from other people and experiences to help develop your style.

It takes time

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Imagine being given the challenge to try every type of candy in the world. How long do you think it would take you? Chances are, a fairly long time.

Same goes for developing your acting technique.

When approaching your own unique style, the best thing to have is patience. It takes people years, sometimes even decades, to get comfortable with a certain style of acting.

Give yourself time to try all sorts of different ones to see which of them you like.

Create your own candy

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Just like Wonka had his own recipes and factory, make your own factory of techniques. When you’re under pressure to learn something, you’re able to come up with your own strategies.

For example, during the first few short films I was in I had to scramble to study the scripts. Under pressure I was able to find out how I study: through many scribbled notes.

I wasn’t taught this, but I used it all the same and it worked. Thing is, you don’t have to use the techniques people suggest. You have the creative freedom to come up with your own unique system.

What I have found, through wrestling with what it means to act, is there’s no one correct way, it all depends on what works best for you. You have the ability to try every approach and technique, you’re not limited to one specific one.

You may find the best thing you can do in your acting is adopt a few things from each technique and disregard other things. In this way, there’s no pressure to find a technique as quickly as possible, because again, it will take time.

There are no limits here; take as much as you want. And fortunately, unlike candy, you won’t get a toothache by taking too much. So let Wonka’s story be inspiration to your own acting journey, and step into a world of pure imagination.