The One Thing You Need To Know About Acting: There Is No Formula

By Keaton J. Evans

 

One of the biggest temptations for actors, when they begin their creative journey, is the desire to have everything figured out as quickly as possible. Which is completely natural. I did this when I first started learning how to act, and I still find myself doing this.

 

Thing is, I like to make formulas for problems I find in my life and in my acting. The classic A+B=C right? Well, mathematically yes, but not in other areas of life. Especially for any problems you face as an actor.

 

With acting you have so many things to think about and work through. You gotta break down a script, learn about the story, your character, your relationship with the other characters and emotions and everything else under the sun. And while there are things you can do which will help, there is no formula.

 

One reason for this is because of how different techniques work for different people. I mentioned this a bit in another article I wrote, which you should check out. The basic idea is an acting technique which works for someone else may not work for you. You may find certain acting tips don’t work, while other ones will. The point is don’t rush to find a system. Know it will take you awhile to figure out this whole acting thing. When starting out, patience is key.

 

desolation-of-smaug-21 (1)

The second case for no formula is this: art is fickle as well as acting. And an approach or technique which may work for you once may not work again. And if you stick to only one approach, especially early on, you’ll get stuck in a single way of doing things, instead of exploring all the techniques which exist.

 

There’s a “Creative Spark” starring production designer Rick Carter where he mentions how he never knows how he’s going to do a movie. He doesn’t go in with preconceptions. Carter is a major production designer in the film industry and his words surprised me at first. Surely by now he would have a system for making a movie after years of doing so many films. But in fact his openness and acceptance of his own limited knowledge is exactly why he’s so good. He understands it’s not about figuring it out.

 

rick2 (1)

 

You gotta let go of what you think you know. As counterintuitive as it may seem, it helps to be completely clueless and open when approaching your craft.

 

Curiosity should beat out needing to have all the answers in a nice formula. If that makes sense. Just like Rick, you should always be searching for answers. There is no one method which covers all. If you think you’ll be able to find some formula or something that works each time, maybe you should try openness of mind and asking more questions.

 

You can’t have all the answers, and you’re not suppose to. My third point is exactly this. Have questions instead of answers. You’ll find answers when you ask questions. So ask away! There are answers to be found in the script, and you’ll be able to answer them. It’s the same as not going into the script with preconceptions. You come at it with a clean slate.

 

898457983745987243895

 

There are definitely things you can do which will help you in acting. Little tricks and tips here and there which will help.

 

But needing to have a consistent overarching formula and approach won’t really help you here. Which is totally fine. Grow your curiosity, ask questions, and be free to be completely clueless especially at the beginning. That’s acting and that’s art folks.

 

As actors, we need to learn to let go of formula and embrace the journey.

 

Advertisements

How to Find Royalty Free Music That Doesn’t Suck

If you’ve ever been a film school student or a no-budget independent filmmaker, then you know the pain. Finding high quality music to fit your movie for free is darn near impossible.

God bless Kevin MacCleod, but if I hear “Sneaky Snitch” in one more short film I’m going to throw something.

Before you get started on the journey of including royalty free music, be sure you understand the laws surrounding creative commons and licensed music. Every artist may have different stipulations for the use of their music in your film; many of them refuse it for commercial use (you would make a monetary profit from the video) and almost all will require you to credit their work.

“Royalty free music” does NOT always mean “free to use.”

Please have a firm understanding of what is required of you in using the artist’s piece before including it in your film. When in doubt, contact the artist and ask them directly.

Here’s a list of resources for your own short films and videos to help fill it out and bring it to life.

1. Incompetech

I literally warned you about “Sneaky Snitch” two seconds ago, however there’s no denying Kevin MacCleod’s music is iconic to the fledgling filmmaker. It can also be a great introduction into the world of royalty-free music for film. If you’ve never used any of his music, check it out!

However, don’t be surprised when you hear it in every other student short film known to humankind.

2. Free Music Archive

With a wide variety of music, some with lyrics and some without, this is a great one stop shop for all your royalty free music needs. All the music is free to download and easy to use. It has a great search engine to better find the kind of music you’re looking for.

Also, if you’re an up-and-coming composer, you can upload your works to this website for filmmakers (or whoever) to download.

However, like every royalty free music site, you really need to invest some time in separating the wheat from the chaff in terms of quality.

3. Bensound

Another website similar in style to Free Music Archive, but with a more limited library, Bensound is filled with royalty free music by French composer Ben Tissot. There is some great work on this site, but much like Kevin MacCleod’s works don’t be surprised to hear it in several other short films and videos.

4. YouTube Channels

Currently, YouTube provides me with the best royalty-free music on the internet, particularly if I’m looking for anything remotely resembling trap/club music.

You can find music one of two ways:

  • Look through the audio library and download the song you like directly from YouTube
  • Search YouTube the old fashioned way, find a channel with great royalty free music, and follow the channel’s instructions to download the track you like. Channels like RoyalTrax, AudioLibrary, and Argofox are great places to start.

You’ll find some familiar faces hanging out on YouTube as well (Bensound & Kevin MacCleod). The only downsides to using YouTube as a source are:

  1. It can be a complicated process downloading the track you like.
  2. Finding the specific style of music you’re looking for can be a bit more complicated than some of the other sites.

A FEW MORE OPTIONS….

Now before you start a download frenzy with the above listed resources, here are a few more options to think about.

5. Hire a Local, Up and Coming Composer For Free

Of all of the roles in film production, I’ve never had a group of people literally throw themselves at me like film composers. 60% of the messages we get as a production company asking for an opportunity are composers. I’m not kidding or exaggerating (if anything I lowballed the percentage).

There are people out there who are looking for a chance to score a film. Ask for their samples of previous works, and if you like what you hear, then you’re able to help them out as well as yourself.

6. Ask Your Musically Talented Friends to Help You

Other than downloading music from the interwebs, this is my go-to for finding music for my projects. Being a creative, I have no shortage of friends who are musical geniuses who have yet to make a break into the business.

They often appreciate the opportunity to stretch themselves in creating something, as much as I appreciate receiving some great music for my film.

Be sure to ask a friend however who is open to constructive feedback and direction. You don’t want to ruin a great relationship over a short film.

7. Audiojungle

If I find myself in a pinch, I bite the bullet and purchase a song from this comprehensive music library.

While there is plenty of mediocre music on the site, there is just as much of good quality. I’ve never been disappointed by a track I’ve downloaded, and to date I’ve never paid more than $20AUD for a track.

There is some great music out there, free for you to use. Happy hunting everyone, and don’t be afraid to find creative solutions.

 

Written by Brenden Bell.

How to Promote Your Acting Career for Success

BY CHARIS JOY JACKSON

Actors need to get creative and build a community around their career. In other words, they need to promote themselves to become more successful.

This is not success in the manner of earning the bigger bucks, or becoming famous. Those can be byproducts of your success, BUT they should never be the reason to promote your acting career.

The success you’ll find in promoting your career come more in the community you build. The more you relate to your fan base and fellow dreamers, the more likely they’ll want to watch you in a film.

Here’s a couple tips to get you started on the path to success.

pexels-photo-199497

CREATE A SOCIAL MEDIA PLATFORM

Create your own Facebook page, start an instagram account, jump on Twitter, and build your own website. This can be a huge help to boost your career.

I’ve heard rumors of some agencies who won’t even look at you as a potential client unless you have a certain amount of followers on Instagram and Facebook. While I can’t confirm or deny this, I can understand the principle behind why an agency would do this.

If they can find someone who’s already showing themselves to be a bit of an “X-factor” then they are more likely to want to work with you. In some ways it means less work for them too, but it can also show them you mean business and acting isn’t just a hobby, but your life.

I would recommend you start with building your own Facebook page, but don’t do this unless you know you’re ready for the hard work of pursuing your dream. Acting is fun, but it is a lot of hard work and takes incredible tenacity to stick to it in the long haul.

If this sounds like you, then you should create a Facebook page. Invite everyone on your friends list if you can. The more personal the invite, the better. Send it to them in a message versus just clicking the invite button.

Then start your own Twitter and Instagram accounts. Follow other budding actors you know and hopefully they’ll return the favor. Follow casting companies like Backstage to get updates on potential auditions and jobs.

Having your own website can be helpful too. With platforms like Weebly, who do most of the hard work for you, it’s really easy to build your own site. If it’s done well, then it will aid your professional appearance, making it more likely for agencies and films to hire you.

pexels-photo-248533

BE CONSISTENT WITH THE CONTENT YOU SHARE

An important key with your social media platform is to be consistent with what you produce. Set aside some time to figure out what you can realistically produce in a week, then create a schedule for yourself.

Research when each site’s high traffic times are and schedule posts for those times. Take advantage of the almighty hashtags on Twitter and Instagram especially. Ask questions, take pictures of the projects you’re a part of and be real with people.

The more real you are with your growing fan base, the more fans you’ll acquire.

For example, look at Robert Downey Jr. If anyone had the excuse to not promote themselves, it would be him, but if you’re like me and follow him on facebook, you know he’s always active with his fans and more than that, he’s real with them.

Zachary Levi is another actor I’ve noticed who is incredibly active with his fans. Almost daily, he’s responding to fans on Twitter, being real, sometimes even cheeky, but he’s still taking the time to see them as individuals versus a whole.

This is something I wish more actors would do as they build platforms to promote their careers.

Header 2

“Don’t tell people your dreams. Show them.”

(author unknown)

I know it can be a bit scary to think about promoting yourself. Maybe you’re afraid it’ll look a bit pompous or narcissistic. Think of it more as you inviting them on the adventure, make them feel like they’re part of your inside team. Build a community of dreamers and creatives.

Is “Guardians of the Galaxy” Marvel’s Second Best Film?

BY KEATON J. EVANS

*Warning: Huuuuge Spoilers!*

Guardians of the Galaxy is considered to be one of the greatest creative achievements by Marvel and also the favourite of many fans. But is it the best Marvel film? Or has the new Guardians of the Galaxy vol. 2 surpassed it?

I thoroughly enjoyed the film when I watched it a few days ago, and I wondered how it stacks up to the first one. I made three rounds for both movies to compete in and we shall see who the winner is at the end of the article.

These three points are the ones I considered to be the most important differences between the two.

ROUND 1: THE PLOT

Guardians Vol. 1: Peter Quill embarks on an adventure to escape Ronan and everyone else out to get him and the infinity stone he carries. Along the way he’s forced to work with other convicts. They all learn to work as a family and end up saving Xandar, a planet that Ronan was bent on destroying. Only by uniting as a team do they stop Ronan and take-back the infinity stone. Overall, the plot establishes the theme that family is what is most important. To read more about this, read Brenden’s piece here.

07 (1)

Guardians Vol. 2: In the second installment we see the team working together to protect a superior race of people and then fleeing said people when Rocket steals one of the batteries they were hired to protect. Their ship crashes on an alien planet where they meet Peter’s father, Ego. We then follow father and son and the plot between Gamora’s sister Nebula, who’s out to take her revenge of Gamora. It’s a bit slow in some areas, which is understandable because the movie is character-focused. Both films are. But overall, the plot drags in some areas, being sacrificed to the jokes and humor, which are good, but take away from making the plot stronger.

04 (1)

The first film brought the charm of family and bringing together a ragtag team to win this round over vol. 2.

WINNER: Vol. 1

ROUND 2: THE VILLAIN

Guardians Vol. 1: In the first volume of the Guardians of the Galaxy our heroes face Ronan, a leader of the Cree people who’s out for the infinity stone and couldn’t care less about Thanos. He’s about as flat as a villain could be, but still intimidating and powerful. He’s defeated by the Guardians rather easily, though that hammer of his sure was crazy good with an infinity stone strapped inside of it. Overall, he’s about as typical as Marvel villains come.

MV5BMjExMzk5MDY4Nl5BMl5BanBnXkFtZTgwOTkxOTMyMjE@._V1_ (1)

Guardians Vol. 2: In the second volume of the Guardians’ adventure, we face a whole new kind of villain: a father gone bad. His reveal is dynamic, a twist to many fans and a highlight of the film, to be sure. I know I was shocked and I feared for Star-lord, a reaction I haven’t felt for many characters. But when Star-lord literally went starry-eyed, I was concerned. And the horror of all the children Ego killed and buried was also uncomfortable to realize. And, being a planet is something we haven’t seen yet, which adds to the originality of the character. Admittedly it feels like they’re fighting the Death Star at the end, but that’s for another round. The thing about Ego is his motives sound grand, but they too appear a bit murky.

06 (1)

With Ego being the more original and surprising twist of the two, the winner of this round belongs to Star-lord’s dad.

WINNER: Vol. 2

So far the two are tied, which is good. It’s what makes fights interesting. Good thing there’s a third and final round to settle which one’s better!

ROUND 3: THE CLIMAX

Guardians Vol. 1: The climax of the first film included an epic space battle above Xandar, the planet the heroes are desperate to save. After trying to stop a giant ship from crashing into the city, the ship is able to break the blockade and crash into the city. But before Ronan can slap his infinity stone-infused hammer into the ground and wipe out the world, he is challenged to a dance-off by Peter. After distracting Ronan he takes ahold of the infinity stone and defeats Ronan with the help of the other Guardians. The dance-off is completely unexpected and hilarious and the moment they unite is a powerful one.

08 (1)

Guardians Vol. 2: At times the climax reminded me of people trying to blow up the Death Star, and I’m still trying to figure out if this is a good thing or not. It was unique that they had to fight a being which was a planet, and it added a strange dynamic to the fight. I think Ego being essentially invincible (until you destroyed the core) made the fighting seem superfluous, but what was thrilling was seeing each member of the team having to fight Ego in their own way. There was a good deal at stake too, with the earth being in danger of Ego’s take-over.

05 (1)

With both movies having excellent final clashes, this one is probably the closest of the three rounds. But….

WINNER: Vol. 1

With two out of three wins, the original Guardians of the Galaxy remains one of the best films in the Marvel cinematic universe. I enjoyed both quite a bit, and think the second one is good, but the first one remains the better of the two. Do you agree with the results, or do you think I’m crazy?

Whatever you may think, James Gunn knows how to make popular movies, no doubt about it!

What A Stunt Person Needs In A Director

BY CHARIS JOY JACKSON

When it comes to knowing how to make movies, there’s one area independent filmmakers can not ignore. Stunts.

Pretty much everything else, you can “fake it, ‘til you make it”, but when it comes to stunts, you need to know what you’re doing. They’re dangerous and if you don’t have professional training, you’re creating an incredibly unsafe set.

A happy set is a safe set.

I love stunts. Watching Tom Cruise perform death-defying stunts in the Mission Impossible franchise are always a highlight. I mean, come on guys! The man hung off the side of one of the tallest buildings in the world. And, he held on to the side of a plane as it took off!

It’s inspiring to see stunt performers in action. They’re one of the most tight-knit community in film. Which, honestly, is no surprise because they have to trust each other with their lives.

As an aspiring director, I wanted to know what stunt professionals look for in a director. I reached out to a few and here’s what they had to say…

missionimpossible3_burjkhalifafeat_hd

Kyal Scott, SAP

The Tempus Elixer (2015) & Out of the Woods (2017)

Kyal is an incredible actor and stunt professional. He’s performed death-defying stunts as several iconic characters at Warner Brother’s Movie World in Australia.

“What I look for is trust. A stunt person doesn’t want to risk injury or death for the sake of a slightly better camera angle or perform a stunt that is deliberately difficult because an alternative action doesn’t adhere to the storyboard. 

“If a stunt person knows that their safety is the main concern then they will push their fear to the limit and risk their lives to create something incredible for the director to capture.

“Trust also helps both director and stunt person be far more efficient. Time is money after all.”

I think he’s hit the nail on the head. The biggest thing a stunt performer needs from their director is trust. They are putting their very lives on the line to serve the vision of the story. If they can trust they’re working with a director who will think outside the box to ensure their stunt performer is safe, the performer will work harder for them too.

It’s a mutual road.

Daniel Nelson, SAP

Deadline Gallipoli (2015) & Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Daniel currently works at Warner Brother’s Movie World in Australia and already has an impressive list of films under his belt as a qualified stunt performer.

“Sometimes directors don’t always have the same eye for action that stuntmen do. So having access to playback footage of each take and seeing what it looks like on camera is very handy. Particularly in a fight sequence.

“Directors can also spend too much time on the actors’ dialog that there is no time in the day for the stunt sequence. So a director who is aware of his time is definitely beneficial.”

This is great advice for the aspiring director. Keep an eye on the time. Stunts require a lot of work and time. The crazier the stunt, the longer it’ll take to make sure everything is set up and safe for the performer. The more a director honours this, the more a stunt person wants to make things work to serve the story.

Daniel Weaver, SAP/ Stunt Rigger

Bleeding Steel (2017) & The Shallows (2016)

As well as working for Movie World, Weaver is also a Stunt Rigger and most recently worked on Thor Ragnarok as a SPX Rigger.

“One of the things I look for in a director is being easy to communicate with. [There’s] nothing worse than trying to understand what someone wants to see if they are not clear. Some directors climb all over the ground and grab performers to show what they mean prior to shooting, so a director who is clear and not afraid to get their hands dirty is great!”

“Another is a director that understands action filmmaking. It’s awesome when you get a director that knows the value in seeing the stunts rather than a director that will just cheat the stunts to speed things up. A good director knows the time it takes to provide quality performance and maintain safety.”

I think Daniel makes an excellent point about being clear with what you want from a stunt person. The more concise and articulate you can be as a director the better. In fact, I’d even go so far as to say, learn their lingo. Find out what different stunts are called, it will save you time on set and I think it’ll make your stunt professional’s day.

Jason O’Halloran, SAP

Goldstone (2015) & The Chronicles of Narnia: Voyage of the Dawn Treader (2010)

Jason also works for Movie World and has had an impressive career, working on shows like Sea Patrol and Russell Crowe’s The Water Diviner.

“I like to see a director that’s excited about action. If you get on set and the director is pumped about the scene then everything just naturally goes up a notch.”

Jason gives some great advice here. At the heart of what I hear in this is, have passion for the action you’re creating. The more passion you have, the more your entire crew will want to get behind what you’re doing. Passion is a huge support to creativity. It gets the juices flowing, so to speak, and you may find your stunt professional coming up with even better takes for what you want to create.

fullsizeoutput_6c7

“All of the stunt men – these are the unsung heroes. They really are. Nobody is giving them any credibility. They’re risking their necks.” – Jason Statham

The next time you work on a set with stunt professionals, I hope you keep this advice in mind. What Jason Statham says above is so true. They really are the unsung heroes on set.

While it takes extreme effort for every crew member to serve a project, keep in mind these guys and gals are going the extra effort. Support and honor this community and listen well to this incredible filmmaking advice.

Should “13 Reasons Why” Never Have Been Told?

Written by Charis Jackson.

Creatives, how do we know when we’ve stepped over the line creatively?

13 Reasons Why, is one of the most popular shows on Netflix right now, but should we be watching it? Should it have been filmed? Or even created? These are the questions tossing around in my head at the moment.

The story follows Hannah Baker, a young girl who experiences severe bullying and trauma to the point where she commits suicide. She leaves behind several cassette tapes for a selection of classmates explaining why they and the choices they made are the reason why she ended her life.

13 Reasons Why, which was inspired by the book of the same name, written by Jay Asher, has come under an unexpected attack by several mental health organisations around Australia and the US. They’ve urged teens and young adults to avoid the show because of the extreme graphic content.

I have to say, I’m torn. On one hand, I completely understand their concern. However, as a writer, filmmaker and creative, I was impressed with the story and their willingness to show the raw situations and even the actual suicide.

In the featurette, 13 Reasons Why: Beyond the Reasons, producer Selena Gomez said, “We wanted to do it in a way where it was honest, and we wanted to make something that could hopefully help people because suicide should never ever be an option.

But now with organisations like Headspace, issuing warnings to younger viewers, I have to take another look at the role of the creative in all this.

In an interview with Channel 9’s Today Extra, Child Psychologist Dr. Michael Carr-Gregg stated, “It’s essentially an audio-visual manual for suicide.”

Can it be true? Can a story impact the world in such a negative way, when their aim was to bring awareness and give less power to these horrible situations?

When talking about the choice to film the actual suicide, Brian Yorkey, Executive Producer said, “We worked very hard not be too gratuitous, but we did want it to be painful to watch, because we wanted it to be very clear that there is nothing in any way worthwhile about suicide.

The job of a creative is to speak where others can’t. Creatives have a way of putting words to how people feel. Growing up, I was always impressed with how songs and shows could put words to feelings I couldn’t explain and because they were able to express them, it helped me grow in maturity, but I have to wonder if we can go too far in revealing truth.

More than anything, what 13 Reasons Why reminds me of, is the importance of our words and choices. This is a central theme in the show, but also is being revealed in the backlash it’s now experiencing. Where they aimed to tell the truth and give people a hope there were other solutions than suicide, it now appears they’ve only brought further damage.

In one news source, Headspace said they’re receiving more calls and emails which are in direct correlation with the show. Obviously, they’re concerned, but I can’t help wondering if the show has actually done more good than harm.

13RW_101_00771R

There were many times during the show, where I kept hoping Hannah would tell the truth, that she would take her communication teacher’s advice and tell people when they’d hurt her.

Recently, I had a small argument with a friend. As a teen and young adult, my usual response to these kinds of situations was to internally shut down. When my friend asked if I was ok, instead of shutting down, I told her, with no aggression what she’d said, made me feel like I didn’t have a right to voice what I was saying. I was surprised by how easily the situation was resolved once we’d both calmly spoken the truth.

And this came as a direct response to my experience and the lessons I’d learned from watching 13 Reasons Why.

In a Vanity Fair article, Nic Sheff, one of the writers of the show talked about his own experience with depression and his attempt to take his life. He recounts while he was trying to take his life, a memory of another woman’s story of how she’d tried to commit suicide, came back to him and stopped him from going further. “The whole story came back to me in heightened detail.” He said, “It was an instant reminder that suicide is never peaceful and painless, but instead an excruciating, violent end to all hopes and dreams and possibilities for the future.”

Ultimately, creatives have the responsibility and duty to impart wisdom and truth to their audience. It’s their gift and their curse. Sometimes this will be received well, other times there will be backlash. I have to trust as long as I’m owning this responsibility and doing everything I can to be sensitive and ethical in what I create, then I need to let the rest take care of itself.

I think we need to give the creators and storytellers of 13 Reasons Why a break. Maybe organisations like Headspace are receiving more calls, but what if it’s because the show has given young teens hope they can turn to someone? What if the show has impacted people to seek help because they’ve seen how many people were horribly affected by Hannah’s decision.

Suicide is never ever an option. I’m no psychologist, but don’t you think the more we bring things into the open, the less power they have to control us? This is exactly what the creators of 13 Reasons Why were hoping to accomplish. I think instead of seeing the growing number of calls and emails as a warning, we should see it as a hope and the fruit of their labor, because the fact of the matter is, people are reaching out for help.

Regardless, this discussion is good for us creatives and independent filmmakers to consider, are you being responsible with your art?

If you or anyone you know is in need of help, please reach out to organisations like Headspace 1800 650 890, or Lifeline 13 11 14

This article was originally published on Christian Today.

 

I Acted, It Sucked…

BY LISA RODGERS

Acting is one of the most vulnerable careers you can pursue. You have to wear your heart on your sleeve in a room full of people who are all focusing on every little thing you do. When I did it, it made me constantly self conscious about whether or not I did a good job. I’m sure I was better than I thought; the casting director hired me for a reason and it’s because they saw a little thing called talent. Here are a couple tips I’ve learned from my experience in the acting world!

Talk to your Director!

Talk to your director

In film, communication is key. If you’re not talking to the director, then you’d be in a lot trouble. Once when I was acting in this student film, I had to balance my body on my shoulders with my feet in the air, while I pretended to read a book balanced on my feet. It was a difficult position to hold to say the least. I was also wearing a red cape and a multi coloured paper clip necklace. It was odd to me, but it was what my director wanted, so I did it.

 

The director used this action to explain to the audience what the character was like in a nonverbal way, which in a short film saves a lot of precious time. It ended up being a very comedic scene and I had a lot of fun with the character. What helped me through this was knowing my director’s vision for the film and scene. I sat down with the director and talked to her about the character before and during filming.

 

Talk to Your Friends!

23-friends-cover-story-lede.w1200.h630

Last year I went to an acting program in Kona, Hawaii for three months which gave me a lot of experience in student short films. When I got home, I hesitated showing these films to my family and friends. I thought that everyone else in the films did so much better than I did.

 

However, I could only hide my films for so long and I had to show my friends and family what I’d done for the past three months. As we watched, my every flaw was pouring out of my TV screen and I shrunk lower and lower into my seat. Once they were finished watching them I knew they were going to say something kind because that’s the right thing to do, but when they talked to me about my films they looked at me and genuinely told me I did a good job. It wasn’t like when you tell a small child that their painting is beautiful and you can’t actually tell what it is, my friends and family actually really did like my films.

 

My friends and family saw my performance in a different light than I did. While I was seeing all the flaws of my performance they were seeing all the good. Be sure to surround yourself with people who are going to tell you what they think, because it’ll give you a reassurance you can’t give yourself.

 
Talk to Yourself.

Your Own worst Enemy

Everyone’s a critic and I criticize myself the most! I know that when I watch myself on screen I wonder if that’s what I really look like, sound like, and I feel like giving up on acting completely. How could I ever compete with the actors of Hollywood?

 

The thing is…those actors didn’t start out great. After hours and hours of hard work and job after job, they’ve worked on their craft and got to where they are today. It would be easy to give up if I got a bad review for a film, but it would be even better if I proved them wrong by getting better.

 

My acting is nowhere near perfect and there are days where I watch films and they make it look so easy, but that’s when I have to think more highly of myself and strive toward a goal.

 

When you start watching your material over and over again to find the flaws in your performance, it will never help you. Hard work and practice is what’s going to get you to the top of the acting mountain. Turn off that TV, tell yourself you can do this, and go for it! That’s what all of us actors and actresses have to do. Have fun acting and get the experience so you can become the actor or actress you want to be.

 

Conclusions

 

I acted, it sucked, but I’m getting better. I have to keep pursuing it and strive for my best. My acting isn’t just standing in front of a camera for the first time and doing it perfectly. On set we go for take after take after take until we get the best performance I can give. There’s always going to be days where I look at my performance and see all the flaws, but everyone in the acting business has an off day.

 

Remember to communicate with your director, family and friends, and most of all yourself. You’ll never reach your creative potential if you stop.