Why Knowing Your Type Is Important

By Charis Joy Jackson

Previously published on Backstage.

I have a love/hate relationship with being typecast. I don’t think I’m alone in this thinking. Many actors endeavour to break away from being cast in the same roles over and over again. I think I speak true when I say it’s the actor’s dream to be one of those few who are known for breaking the mould. Gary Oldman comes to mind, the man is a chameleon.

However, I think it’s important to take note of your type.

Recently, I posted two of my head shots in a couple of acting groups. I was curious to read what people saw in them. Most of the people don’t know me, so I knew their answers would be purely on my look and not my personality or character.

It was a valuable insight for me and one I recommend you try too.

Knowing your type is important because it can broaden your horizon

We all have our own presupposition of the type of characters we should be playing. However, we’re not always as perceptive to the vast pool of character types we could go for.

For example, I only saw myself as the best friend type. Or the quirky girl on the sidelines. Not as glamorous as the leading lady types, but still fun characters for a lifetime career as an actress.

Then in one acting course, my classmates and I were asked to spend a full minute silently staring at each other, to think up the types of characters we could see that person playing.

I loathed it, but soon learned how beneficial it was to have an idea of how others saw me.

During the session, my preconceived ideas were replaced with a whole new bunch of characters I never thought about before. Knowing this, helped me to branch out in my acting too.

The same can happen for you. If you have a small circle of characters you think you’d be good for, try asking fellow actors what roles they’d see you in. Then use it to your advantage by workshopping scenes with these types of characters. Not only will it help you grow as an actor, but it may help you go for auditions you would’ve never gone for.

Knowing your type is important because it can save you time

As someone who has been Casting Director on two independent features, I cannot stress enough the importance of knowing your type. You’d be surprised how often I put out a casting call for a specific character, giving information on the age range and look only to have a heap of actors apply who clearly don’t fit. My favourite is when I have twenty-something’s asking to audition for a character who’s six! (True story.)

It’s a waste of my time and a waste of the actor’s time too.

When an actor knows the types of characters to audition for, it frees up their time to go for roles they actually fit, versus waiting on auditions where they don’t. I don’t know about you, but I’d rather spend a day auditioning for characters I actually have a real chance to play, versus ones where I don’t.

Last bits of advice… Sometimes it can be disheartening to hear what type others think you could go for, but take what they say with a grain of salt. Learn where you can and dismiss it where it hinders. And definitely don’t see it as a part of who you are, it’s not your identity, it’s like a skill or tool for your trade. That’s it.

Knowing your type is important and can definitely be beneficial to the actor’s career, but at the end of the day, go for the roles which inspire you.

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“What’s The Deal With That!?” Learning Dialogue From Seinfeld.

Dialogue is tricky, you try and be innovative and you either end up dead on the nose, or sounding like your characters are starring in their own lifetime day show. The reason it’s so tricky is because as a writer you have to find the balance of creating a character which feels real, while sneakily writing in foreshadowing, character development and even plot developments, yadda yadda yadda.

Bottom line, it’s not too easy.

So how do you do it? One show that’s known for it’s strong dialogue is Seinfeld; the show about nothing. Now I know what you’re thinking:

“But Greg, if Seinfeld isn’t about anything, how can I use it to write meaningful dialogue for my independant-character-drama about the anatomy of the human soul?”

Settle.

Copying Seinfeld is not what I’m talking about; what I’m talking about is looking at what the show does really well and using it as inspiration for your own work.

1. CHARACTER VOICE

One of the big traps about writing for multiple characters is accidentally making them feel like the same character instead of individual people.

This is something Seinfeld does really well; Jerry, George, Kramer and Elaine are all different characters that feel real and different. They get along, they clash, yet they all fit in the show’s quick-witted-sarcastic theme.

Give your character a quirk and let their dialogue reflect this quirk.

2. PULL THE RUG OUT

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Nothing is worse than cliche dialogue, it’s boring and we’ve heard it a million times.

Subvert your audience’s expectations, don’t give them the same run around again and again; pull the rug out from under them.

It’s one of the reasons shows like Seinfeld and directors like Wes Anderson, or Edgar Wright are as successful as they are. They know how to catch you off guard with their dialogue.

In Moonrise Kingdom When Bill Murray gets asked if he’s concerned that his daughter runs away from home his response is: “That’s a loaded question.”

When Simon Pegg starts excelling at work in Hot Fuzz he gets punished because “Frankly, you’re making us all look bad.”

And lastly when George gets told, “It’s not you, it’s me,” his response is, “You’re damn right it’s me!” Or when Kramer says… well when Kramer says just about anything.

When writing your dialogue remember, your audience probably has a sense of where a conversation is going, try to throw them off. Set your character up for a promotion then demote them, have them take control, or lose control in unexpected ways. It’s more memorable and you’ll probably have a lot more fun writing it out.

3. BEND REALITY

When writing dialogue, you would think you’d want to write as realistically as possible. It’s not true. In real life our words get away from us. We trail on and on and on, go down tangents and rabbit holes, until we’re half way through a story about our cousin Louie.

Point is, you don’t really want to write to reality, but you do want to cater to your theme. Going back to point 1 all of the characters in Seinfeld are their own person, but their dialogue fits the tone and pacing of the show. Exhibit A.

It feels real and authentic because as the audience we like these characters and we’ve bought into their world. It’s also one of the reasons as a filmmaker why I constantly find myself using the show for inspiration.

 

Written by Gregory Garofalo. 

Check Your Heart: How Do You Celebrate The Victory Of Others?

BY ANNETTE LANGE

Being an actor simultaneously requires extreme vulnerability and an extremely thick skin. When auditioning for roles, you’re the product you’re promoting, and so it’s easy to take rejection personally and evaluate yourself against the other candidates.

This in turn, will make room for discouragement and comparison and ultimately transform into resentment and bitterness – not a place you want to get into, for your own sake and for the sake of others.

Because of this, it is important you continually check your heart and motives. A good way to check if you’re heading in the right direction is asking yourself the question:

Am I able to genuinely celebrate other people’s (or, in this case, actors’) successes?

We all know envy is not a positive virtue. Once it takes hold of you, it spreads like cancer. If you need a visual reminder, watch Amadeus and look at the effect envy has on Antonio Salieri’s character.

I can’t promise you its absence will be a guarantee for a successful acting career, but what I can promise is it’s necessary for the sake of your own heart and creative life.

A heart at peace gives life to the body, but envy rots the bones.

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At the end of the day, you’re responsible for your own heart and actions. And as an actor you don’t want to numb your sensitivity through subtle jealousy.

I find the art of acting and creative storytelling so beautiful, delicate and precious. If done well, actors can change and heal the hearts of their audiences through their own vulnerability and honesty. They can explore, challenge and reform humanity like no other artform.

What I find inspiring about films and plays, is the teamwork it requires to realize a vision. The entertainment industry is all about teamwork and that is, in my opinion, what life is all about. Realizing dreams together through community, cooperation and relationship with one another.

This requires humility and choosing to love one another even if we don’t feel like it, celebrating one another’s successes and being united in an attempt to make this often cruel world a bit better.

I’d encourage you to be on guard against feelings of resentment and jealousy, even if they seem subtle and take action on your behalf to combat it with love and turning it into a motivation to pursue more excellence in your own creative craft.

 

The One Thing You Need To Know About Acting: There Is No Formula

By Keaton J. Evans

 

One of the biggest temptations for actors, when they begin their creative journey, is the desire to have everything figured out as quickly as possible. Which is completely natural. I did this when I first started learning how to act, and I still find myself doing this.

 

Thing is, I like to make formulas for problems I find in my life and in my acting. The classic A+B=C right? Well, mathematically yes, but not in other areas of life. Especially for any problems you face as an actor.

 

With acting you have so many things to think about and work through. You gotta break down a script, learn about the story, your character, your relationship with the other characters and emotions and everything else under the sun. And while there are things you can do which will help, there is no formula.

 

One reason for this is because of how different techniques work for different people. I mentioned this a bit in another article I wrote, which you should check out. The basic idea is an acting technique which works for someone else may not work for you. You may find certain acting tips don’t work, while other ones will. The point is don’t rush to find a system. Know it will take you awhile to figure out this whole acting thing. When starting out, patience is key.

 

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The second case for no formula is this: art is fickle as well as acting. And an approach or technique which may work for you once may not work again. And if you stick to only one approach, especially early on, you’ll get stuck in a single way of doing things, instead of exploring all the techniques which exist.

 

There’s a “Creative Spark” starring production designer Rick Carter where he mentions how he never knows how he’s going to do a movie. He doesn’t go in with preconceptions. Carter is a major production designer in the film industry and his words surprised me at first. Surely by now he would have a system for making a movie after years of doing so many films. But in fact his openness and acceptance of his own limited knowledge is exactly why he’s so good. He understands it’s not about figuring it out.

 

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You gotta let go of what you think you know. As counterintuitive as it may seem, it helps to be completely clueless and open when approaching your craft.

 

Curiosity should beat out needing to have all the answers in a nice formula. If that makes sense. Just like Rick, you should always be searching for answers. There is no one method which covers all. If you think you’ll be able to find some formula or something that works each time, maybe you should try openness of mind and asking more questions.

 

You can’t have all the answers, and you’re not suppose to. My third point is exactly this. Have questions instead of answers. You’ll find answers when you ask questions. So ask away! There are answers to be found in the script, and you’ll be able to answer them. It’s the same as not going into the script with preconceptions. You come at it with a clean slate.

 

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There are definitely things you can do which will help you in acting. Little tricks and tips here and there which will help.

 

But needing to have a consistent overarching formula and approach won’t really help you here. Which is totally fine. Grow your curiosity, ask questions, and be free to be completely clueless especially at the beginning. That’s acting and that’s art folks.

 

As actors, we need to learn to let go of formula and embrace the journey.

 

Wonder Woman: More Than a Feminist Icon

Motivated by compassion and love is Diana of Themyscira, the Wonder Woman who is the latest superhero to grace our cinema screens. We all know her as the powerful goddess who answers to no man and seeks to defeat Ares, the god of war, thus saving humanity and making it pure again.

If only it were so were so simple.

Wonder Woman stands as an empowering testament of female capability, yet it masks itself in the desire to make life mean something. Men and women alike can relate to her character because of what she stands for: the desire to ‘make a difference’ in a suffering world, and the desire to continue doing so even in the realisation that the world will always suffer.

Before the age of disillusionment and cynicism rises to meet us, young adults often face a wonderfully powerful Messianic phase in which desires of finding a ‘cause’ to cling to come to fruition. Many times these desires are enacted upon and take many forms, whether it is through education, donating to charity or placing oneself in the midst of the trouble, it is common to give a damn.

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Perhaps this is why we see so many people entering fields such as medicine, social work and law enforcement – these are practical ways of enacting this Messianic phase.*

As someone who never had to care before, who didn’t even know there was a world to care about, Diana instinctively latched onto the idea that the world needed her. She was not aware of the power she possessed, and she was never told the purpose of her creation was to save the world from itself.

A powerful scene towards the beginning of the film shows Diana sneaking away from her home in the middle of the night to embark on her journey of Ares’ defeat, when her mother finds her and warns her that she may never be able to return. “Who would I be if I stay?” she replies. She became aware of a cause, and as a result felt responsible to do something about it.

Similarly, in our society, once a social issue is brought to light, it becomes our responsibility to do something about it. Ignorance is no longer blissful, and if one so chooses to do nothing, it becomes wilful – and who wants to be guilty of that?

Wonder Woman urges us to fulfil our perceived duty as human beings: to realise our common purpose, to live for something bigger than ourselves and to leave our comfort zone when doing so, even when it seems like nothing will change.

The themes of compassion, justice and ‘making a difference’ in the world is pertinent in the film. More insightful, though, is Diana’s journey from being the ‘saviour’ to realising she is actually powerless to change anything in a world that is self-destructive – in a world not wanting her help.

How do we, as those who do want to have an impact, respond to this? Furthermore, why should we even care? Why should we, like Diana, keep on fighting for humanity even as we watch humanity make the same mistakes? Diana’s partner in the film – American soldier and spy, John, insightfully outlines his motives for his actions. He says he can “do nothing or do something… I already tried nothing.”

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This is a statement I believe resonates with many people, yet the perplexing question for me is: Why do we even feel like we want to do something? For Diana, it was the purpose of her existence – her “pre-ordinance”, she called it, and so it makes sense.

Is it also our pre-ordinance? What is our motivation and why do we persevere even as the world continues in its suffering? Interestingly, superhero films, such as Wonder Woman, all carry these similar themes of responsibility, duty and ‘saving the world’. They are the highest grossing films of our time.

It seems like a collective fantasy we have as a human race: to make our lives count for something great. Perhaps we project this ideal onto films such as these. They make us question our own pre-ordinance, and if we don’t have one, then we crave it. They call us to action. Ultimately, they are representations of what we could be.

Wonder Woman, albeit an empowering female figure, is a picture of the human purpose – a motivation to contribute to the common good of humanity. She calls into question our desires and motives for making a difference in our dark world, and challenges us to continue doing so even when nothing seems to change.

Written by Hayley McGarvie.

 

*Going into medicine is one way for people to enact that Messianic phase.

Why Angelina Is One Of The Most Remarkable People

BY ANNETTE LANGE

Angelina Jolie is one of those actors who would have the ability, means and even the excuse to withdraw from any work or the public eye if she wanted. She could be satisfied with her success, after being deemed one of the most beautiful and rich women alive by the media, and having won the Jean Hersholt Humanitarian Award.

She is an extremely busy and recognised woman, and I have no idea how she manages to balance everything. But all the awards and successes don’t seem to be enough to make her slow down.

Ever since shooting Lara Croft: Tomb Raider in Cambodia and her exposure to the worldwide humanitarian crises, she hasn’t stopped being involved in humanitarian causes.

Hollywood actress and Oscar winner, Angelina Jolie, looks at an Afghan refugee making bricks at a bricks kiln in the outskirts of Islamabad

Upon receiving the Jean Hersholt Humanitarian Award, she shared in her speech:

“[My mother] was very clear that nothing would mean anything if I didn’t live a life of use to others.”

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Sure, Jolie didn’t always have the best reputation or set a great example. She’s always been considered a bit of a wild child. She’s been divorced three times, was accused of being a homewrecker, and the list goes on…

She doesn’t deny any of this, instead she recalls:

“I came into this business, young and worried about my own experiences and my own pain. And it was only when I began to travel and look and live beyond my home that I understand my responsibilities to others.”

She has gone above and beyond to take her mother’s advice seriously. She knows at the end of the day, what matters is not how good you’ve been in what you’ve done, but how you’ve used what you had to do good and love those around you.

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It’s such a common trap for one in the entertainment business to be self-absorbed and see a powerful performance, recognition or fame as the end goal.

When talking about her past, Jolie recalls being “absolutely self-destructive.” She continues, “I think a lot of young people in this business lose their way. You don’t know what is of value. You don’t know where you are. And you know something’s wrong, because it isn’t life as it actually is. It’s like living in some warped reality.”

She’s been exposed to the ‘real world’ with its cruelty and injustice, and she’s thrown herself right in to do something about it.

Her humanitarian efforts include the fight against the refugee crisis, conservation and community development, child immigration and education as well as human and women’s rights. Rather than just donating money and raising awareness about the crises, she’s determined to go there herself, visiting the respective people groups and taking time to hear their stories and giving them a voice.

I’m fascinated by her not stopping her involvement in film entirely. Now that she’s been exposed to more pressing matters, she could have seen the film industry as less important, but no.

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She is still doing what she loves. She acts, directs (shedding light on other actors), writes, and tells stories which challenge and encourage her audience, while being dedicated to her many humanitarian efforts.

Jolie isn’t perfect. She knows this, but she’s  trying to be the best she can be. Let’s cut her some slack, and use her as a source of inspiration instead of a target of criticism.

Are you living in a warped reality? Is it possible that you’re focused in achieving something that doesn’t matter at the end of the day? What legacy are you leaving behind? Is your life/art/craft of use to others?

Even though you probably won’t have the same means and resources as her, there’s always a way to invest in the lives of others and get a shift of perspective. Use Jolie’s willpower and drive as an inspiration.

 

“The Expanse” Will Make You Feel Lost In Space

BY KEATON J. EVANS

Netflix’s new show, The Expanse, is extraordinary, visually stunning, and has a gritty, realistic look which makes the show quite unique and creative when compared to other sci-fi shows.

There’s a lot going on right off the bat, with colonies across the solar system, a futuristic Earth, a militant Mars, and plenty of water shortage on some smaller worlds. I would say there’s a lot going for the show.

This being said, there are also a few things which the show isn’t so great at doing. Below are some thing it does well and some things where it misses the mark. All points considered, you’ll feel lost in space watching this show.

Now whether that’s a good or bad thing is up to you.

The Worlds Are Incredible

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The production quality is the shows number one quality, hands down. The worlds and ships they show glisten with details and have almost a Blade Runner vibe especially on the Asteroid colonies.

The show also hits well on the realities of space and what could go wrong. One example, is the water shortage on the asteroid belt. There’s moments where shipments of ice are delayed and the people on the belt suffer because of it. It goes even farther to point out that if a second shipment is delayed then people will die.

It was refreshing to see so much thought put into the mechanics of world outside of earth, and see the messy reality, and complications which could arise. The visual aspects of the worlds and the realism they present are both excellent.

Seeing all these real intricate worlds allows you to get lost in them, a feeling which was a pleasant surprise.

Wait, Who Are These People?

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After watching The Expanse, I noticed the one thing I didn’t quite like: the character development. Probably the weakest aspect of the film. While the production design is quite superb, the characters fall short, especially in the beginning.

I thought about why this was. The characters are interesting enough, they live in incredible worlds, and the plot is good, so what gives. Well, here’s the deal. While the characters may be interesting, it’s hard to know because they rush the character development.

It feels like we are supposed to know who these people are as soon as we see the first shot. It almost seems like the beginning of the show is the middle of a show. Now, there is development of the characters, a little.

But for the most part, all the introductions are rushed and end up leaving you feeling  little connection with the people you are watching. I think to myself, “A spaceship explodes and people might die! Oh no! Wait, who are these people?”

If they want the events to hold any weight, they need to let us get to know the characters, and then put them into dangerous life-threatening situations, or we won’t care.

If you feel stranded and not quite sure how to feel then don’t worry, it’s an effect of rushed character intros.

Feeling Lost Could Be Either Good or Bad

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Both the best qualities of the show and the worst qualities of the show will make you feel lost. But which feeling sticks with you? Does the production design and visuals carry you through the hard-to-know characters, or do you feel not knowing the characters takes you out of the show?

Either way, it’s an inspiration to anyone who wants to make a science-fiction show.